<h1><strong>METHODS OF EXTENDING NOTE VALUES</strong></h1> CONTENT <ol> <li>Methods of Extending Note Values</li> <li>The Effects of Tie</li> <li>The Effect of Pause</li> <li>The Effect of Dot</li> </ol>   <h2><strong>Methods of Extending Note Values</strong></h2> Apart from dots, there are other methods of extending note values. These include Tie and Pause or Fermata. In other words, there are three major methods of extending note values, namely dots, tie and pause (fermata). <br> <h2><strong>The Effects of a Tie</strong></h2>

<h1><strong>SCALES</strong></h1> CONTENT <ol> <li>Definition of Scale</li> <li>Types of Scale</li> </ol>   <h2><strong>Definition of Scale</strong></h2> The word <em>scale</em> comes from the Latin word “scala”. It means ladder. The first seven letters of the English alphabet A-G are used to express the different sounds in use. Scales refer to a series of notes that go in an ascending and descending manner. The <strong>Major scale</strong> is the foundation from which all other scales are formed. C major scale begins with a C and ends with a C. The same rule applies with the rest of the keys where a D Major Scale begins and ends with a D, F Major Scale begins with an F and ends with an F and so on. The notes on a major scale is numbered from 1 to 8, this signifies the intervals. <br> <h2><strong>Types of Scale</strong></h2> The types of scales are;

<h1><strong>MAJOR SCALE</strong></h1> CONTENT <ol> <li>Tetrachord</li> <li>Tones and Semitones</li> </ol>   <h2><strong>Tetrachord</strong></h2> Tetrachord is an equal division of a major scale. The diatonic major scale with its eight notes can be divided into two equal parts, each containing four notes, e.g. C D E F G A B C. When divided into two halves, C D E F into one group and G A B C into another group. Each group of four notes is called TETRACHORDS. The first half is known as lower tetrachord [L T], while the second half the upper tetrachord [UT]. Thus in the above example C to F becomes the lower tetrachord [C D E F] and G to C [G A B C] is the upper tetrachord. Major scales contain five tones and two semitones, it therefore means that each tetrachord has two tones and one semitone. For example, C to D is a tone while D to E is a semitone.[L T]. S similarly G to A is a tone, and B to C is a semitone.

<h1><strong>CONSTRUCTION OF MAJOR SCALE (C NATURAL)</strong></h1> CONTENT <ol> <li>Major Scales</li> <li>Keyboard Finger Chart</li> <li>Fingering for Scales</li> <li>Right Hand Fingering Suggestion</li> <li>Left Hand Fingering Suggestion</li> </ol>   <h2><strong>Major Scales</strong></h2> In music theory, the <strong>major scale</strong> or <strong>Ionian</strong><strong> scale</strong> is one of the diatonic scales. It is made up of seven distinct notes, and an eighth note which duplicates the first note an octave higher. The simplest major scale to play on the piano or write is C major, the only major scale not to require sharps or flats, using only the white keys on the piano keyboard: <img class="size-full wp-image-37684 aligncenter" src="https://classhall.com/wp-content/uploads/2018/06/construction-of-major-scales-C-natural.jpg" alt="Major Scale of C Natural - Construction of major scales C natural" width="576" height="222" /> <br> <h2><strong>Keyboard Finger Chart</strong></h2>

<h1><strong>TECHNICAL NAMES OF A MAJOR SCALE </strong></h1> CONTENT <ol> <li>Technical Names of a Major Scale</li> </ol>   <h2><strong>Technical Names of a Major Scale</strong></h2>